ss – Draft Six and counting


How many f&$king drafts is this short story going to take(interrobang). Seriously, I’ve been at this story all damn day, and my stomach is running low on tolerance for the chocolate snacks, even if they are the small-morsel types. When I’m done, I’m done. Speaking of done, however, the good news is that I’m almost done. I’m right there and I can almost feel the final edit.

There’s only so much time in a day and I’m reminded of that as it’s running past midnight and I’m here at the keyboard. When your life is over, that’s it. That’s all you get. No refunds, no collecting $200 when you Pass Go; nothing. So, whether writing’s your thing or it’s something else, make it work; make your life worth doing your passion.

The story’s about a little girl who lives in her own world despite the numbing effects those around her feel as they live in theirs. She is challenged when trying to follow the sweetness of her own concept of life while she feels an overwhelming resistance to taste the bitterness of others’ displeasure. Can you blame her? It’s come a long way; and we’re still moving. It’s midnight; onward I press.

How’s your writing coming?



Arting Harder

If ‘to art’ is a verb (as Chuck is clearly using it), then what would be the past tense of ‘to art?’ Is it “arted?” Like, I arted in front of my wife last night while making chocolate chip pancakes? Does that really work. Well, Chucklodytes, guess what??

I wrote another 1,500+ words today! I arted so hard today, ’bout blew a fuse! It’s like those scenes in the old Rambo flicks where John Rambo (by complete happenstance, of course) comes upon a game-breaking automatic weapon and just fires until the smoke fills up the theater seats.

Yeah, that was how hard I arted.


You Do You


Another beauty from Mr. Wendig. When I read this this morning, I about crapped myself laughing. I love the way he puts it – art is art and there’s no one right way to do it. Just because others have done it one way does not mean that the rest of us have to do it that exact way. Just because some of us view a certain piece of art one way does NOT mean that the rest of us have to view it that particular way as well.

It’s a beautiful thing to know that when you do your art, you’re doing your art your way. Just as John Keats put it:


Beauty is Truth, truth, beauty; That is all there is to know and all you need to know.


Your art is your art. Some may like it and some may dislike it. In fact, some will like it and others will not. And if anyone criticizes you about your art, saying that it SHOULD look one way or another, or you SHOULD have done it one way or another, I agree with Chuck – they can go drink a Middle-Finger Frappacino.

Writing and publishing are two different games, and you should not go cry in a corner just because your stuff doesn’t get published. Your art was successful long before you tried to get it published – it was successful because you finished it, and you wanted others to read it.

Boom! Done. End of list.


So here’s the deal. When it comes to your art, it’s yours. You own it. No one else. So, put your headphones in, turn the volume up, read Chuck’s wondrous words and again, be on your way.

(*P.S. Check out Chuck’s article below)

Have a word-filled 2016.





By Chuck Wendig


That blog title is way too long, but fuck it.

A handful of weeks ago, some presumably well-meaning tickledick posted a comment here at the blog. It was a comment that I chose not to approve because, really, I don’t need your shit, Rando Calrissian. This blog is my digital house, and I don’t let strangers inside just so they can take a dump on my kitchen table, especially so we can all sit around, smelling it and discussing it. But the comment was a splinter under my nail, working its way up into the finger-meat. And then reading George R. R. Martin’s end-of-the-year message about not finishing the newest SOIAF also was something that crawled inside me and starting having thought-babies.

Being here on the Internet is a bit like hanging out on a clothesline — some days are sunny and warm, other days are cool and breezy. Some days it pisses rain and the wind tries to take you, and other days it’s daggers of ice or a rime of snow or smoke from a wildfire or some pervert streaking across the lawn and stropping up against you with his unwanted nasty bits.

Being on the Internet means being exposed.

You’re just out there. A squirming nerve without the tooth surrounding it.

That’s good in some ways because you’re exposed to new people, new ideas, new ways of doing things. You’re not an isolated creature here. You are an experiment being observed and are in turn an observer of countless other experiments, and that makes a subtle-not-subtle push-and-pull. But can also be erosive or corrosive — it can wear off your paint a little bit.

As a writer in particular, it has its ups and downs, too. Here, you’ll find yourself surrounded by a gaggle of ink-fingered cohorts who know what it is to do what you do. You’ll have a herd, a cult, a clan, a tribe. You’ll have smaller communities who know what it is you write or want to write, too, whether it’s young adult or epic fantasy or erotic sci-fi cookbooks. And here on the Digital Tubes, everybody is has an opinion, everybody is an expert. And that’s extra-true with writing. Other writers have their processes and their hang-ups and their wins and their losses, and they share it all. Which is, on a whole, a good thing. Information is good. Camaraderie is good.

That, though, can muddy the waters at the same time. This Person is doing This Person’s thing, and That Person is doing That Person’s thing, and Other Person is really loud about what WILL SURELY WORK FOR EVERYBODY (translation, will probably only work for people who are or are like Other Person). And advice gurgles up around your feet like rising floodwaters. Do this, do that, don’t do this, don’t say that, don’t write this, this isn’t selling, that is a no-no, publish this way, sell that way, don’t publish that other way, drink this, wear houndstooth jackets with elbow patches, drink that, snark here, snark there, with a fox, in a box, wearing socks, eating rocks, with a bear, without hair, anywhere. We have a whole lot of writers trying to figure out who they really are, and in the process, do a very good job at also telling you who you should be in order to conform to their notions of who they want to be. To confirm who they are, it’s easy for them to also confirm who you should be, too. That’s not sinister. That’s just human nature. It’s easier to become something when others are along for the ride. And it’s also the joy of confirmation bias — what worked for me confirms that I WAS RIGHT AND SO YOU ARE A HEINOUS DIPSHIT IF YOU DO NOT FOLLOW PRECISELY IN MY FOOTSTEPS. I do it. You do it. Most of us do, I think.

It then gets further complicated once you have readers. Or, Uber Readers, aka, fans. Because they, too, have opinions on you and your work. They will have opinions on your process. And it’s not that they’re wrong, it’s that they’re — no, wait, they are wrong, never mind. They’re totally wrong, because they’re not writing the stories. They’re right about what they want to read and when they want to read it, but not about how to create it. It’s hard to tell someone how to do their job. It’s extra-hard to tell them how to make their art. Because process and prose and authorial intent are all intensely personal to the creator. Personal and twisted further by the pressures of creation and the potential mental stresses that come along with it — remember, a great many writers and artists also suffer from depression or anxiety or other ghosts in the gray matter.

It’s not just one type of writer over another. This is true of new writers who are just finding their way. This is true of mid-career or mid-list writers who are out there in the wilderness surviving, not sure how to get out of the forest just yet. This is true of super-successful authors who are trapped under the magnifying lens of a massively public fanbase — the sun likely focusing into a laser-hot beam upon their foreheads. All artists of every level are exposed here.

Here, now, is the comment referenced at the fore of the post:

“There is no skill floor or ceiling to being a writer. Anyone who speaks a language, who tells a story, can write. To be published is a stricter process that requires an adherence to professional guidelines and to a standard of quality that is dictated by the publishing office. That you’ve been published so many times is no small feat, and I commend you for it.

But having read Aftermath and Blackbirds, I feel that there is…a laziness to your style that you seem to be either unaware of or have come to terms with. It’s difficult to quantify, but it gives me the impression that you don’t value writing as an art. As a job, certainly. But not as a form of expression. Because otherwise you wouldn’t spend 45-90 days on a book. A soul isn’t bared in three months. Professional or no, no book you truly care for should go from start to finish that quickly.

To know an art is to break established rules in the hopes of producing a truer version of your vision. And you certainly break the rules of writing craft. In the first three paragraphs of Blackbirds you’ve disregarded flow, used inappropriate comparisons, and introduced the main character through a mirror scene. And while these things are permissible, they are not the hallmarks of someone who cherishes what he writes.

Great writing seeks subtlety. It’s the words that are unwritten, the descriptions that are inferred, the meaning that comes across through the subtext of what is explicit that writing excels at communicating. But your writing doesn’t ask me to look within myself for answers. It asks me to look no further than the page. And that, to me, is a tragedy. Because we’re all capable of greatness. But greatness comes from being dissatisfied with how things are, and with pushing the boundaries of what you believe yourself to be capable of in order to achieve your absolute best. And even then, you won’t be satisfied. You’ll push yourself further in your next pursuits, because now you’ve touched on what you’re capable of, but you won’t be satisfied.

To release your books in such a short time frame tells me that you’re satisfied, and that breaks my heart.”

I tried for the better part of a week to conjure a more cogent response than “fuck you,” and I got as far as “go fuck yourself.” Like, I tried to go through it once and conjure point-by-point rebuttals — well, no, because of course I value art and art is not beholden to any timetable and it takes the time that it takes short or long and — but eventually my rebuttal dissolves into a gargled cry of “eat a bucket of deep-fried fucks, you squawking chicken-fucker.” With an added, “HOW’S THAT FOR SUBTLETY,” and then a crotch-grab as I cackle and yell, “CHERISH THIS.”

This is someone who wants his vision to be my vision. He has very explicit ideas about how art is made — ideas that, by the way, are provably false. (For writers in particular, looking at the daily word counts of famous writers is clarifying in its sheer variation.) Great writing is not one thing any more than great paintings are, or great music, or, or, or. The variation in art is glorious. The variation in the process that puts the art into the world is equally amazing. Music can be operatic, or punk, or dub-step. A sculpture might be an alabaster goddess or a bunch of fucking cubes stuck to a bunch of other fucking cubes. Food can be subtle and airy or unctuous and heavy or whipped into a foam or shoved between two buns (tee hee buns). Comedy can be a routine that takes years to write, or an improv session that took 30 seconds to conjure.

There’s no wrong way to do it, as long as you’re doing it.

There’s no timetable, as long as you’re taking the time.

Nobody can tell you how you do it. They can only tell you how they do it or what illusions they hold about the process — illusions that often wither under actual implementation.

They can offer suggestions. And you are free to take them, hold them up in the light, and see if there is anything there of value. And if there isn’t? Then you can fling it into the trash compactor on the detention level where it will be ogled and eaten by the one-eyed Dianoga.

That’s not to say there aren’t people you should listen to — a good editor or agent, a trusted friend, a beloved author. But even there, you want to find people who will clarify and improve your process and your work — not substitute it with something that isn’t really yours.

So, in 2016, I advise you to give your middle fingers a proper workout and elevate them accordingly to any who would diminish who you are, what you make, or how you make it. You don’t need to wall yourself off from it, but you also don’t need to be a sweater hanging on the clothesline, either. Get some tooth around that nerve.

Know who you are. Learn your process. Find your way. And don’t let anyone else define who you are as a creator, as an artist, as a writing writer who motherfucking writes.

Happy 2016, writers.

You do you.

*explodes in gory human fireworks*


Life, Transition, and Cats

I haven’t written a word in something like three weeks. Not one word – Three weeks! That’s insane.

It’s been an interesting time for me. Lots of demands on my time and I guess that’s just the way it is – that’s where life has me at the moment. Easy enough. I’m thankful for friends and the ones I can count on here. one of my best friends here reminded me that it wasn’t worth getting worked up over. What is, really?

The world is moving, and it’s almost as if I can feel it’s true speed for one of the first times in my life. But then I can step back from myself and see that what I really need to do is laugh at it all.

No need to get angry.

No need to react with discontent,

No need to engage the ego. Nothing every merits such an action. Yet my, my, my, how I feel myself doing it more often than I’d like.

One of my dearest guides has transitioned, passing from the physical back into the world of Spirit. The selfish side of me will miss him, of course. We get so trapped within our physical forms and come to rely on this false sense of ‘reality’ that once our physical tools come undone, we are suddenly useless. How far we stray from the Way of things in this place.


Then again, where we are is precisely where we’re supposed to be, isn’t it?

Strange how I feel like I’m struggling to put the words down right now. It goes to show how the craft truly is something we must train, foster, and nourish.

How about this? I’ll start. You, dear Reader, friend, audience member, (if interested, of course) will give me the next line. Let’s see what we can do with this.


The Opener:

Cats. I had had enough. Jemma’s apartment was unlocked when I entered just after midnight, and I must admit, my good hand, the one holding the cleaver, was a little shaky. But again, cats…fucking cats.


Off you go, sling, dabble, dash, and do.

Andrew, I agree. Life is good.




Humans of Perth – by my bro (Jason Miller)

hopYou may have heard of or even visited the wildly popular site, Humans of New York. Well, my brother Jason has lived in Perth, Australia for the past …long time, and has come to be the man in the spotlight for the Land Down Under. I woke up this morning and received an e-mail from him, accompanied by the interview ABC News did on him a short while back.

As I understand the story, he started his project just by taking his camera with him on his lunch break and shooting different faces (with permission, of course). After hearing of Brandon Stanton’s method for the New York project, Jason decided to go a bit deeper with his lunch breaks. His Facebook site, Humans of Perth, has grown since he started and has attracted the attention of several major news sources, most recently (as mentioned above) ABC. Here’s a link to the report or click here if you’d like to listen to it.

First off, many pats on the back in congratulations to my bro, and secondly, I urge you to go ahead and check out his site on Facebook – Humans of Perth. What a great story and an inspiration to all of us – another lesson and a reminder to all of us to make the allowances for our curious heart. Go with it. Follow that path. Ask the questions. You have time. Take the risk.

Well done, brother.